Do Werewolves Lick Their Balls?

Yes they do. When they’re bored licking their balls is pretty much all they do. I have the surveillance video. You’re never going to see it because I’m the werewolf and those are my balls, so you will have to take my word for it.

Yes, I’m a werewolf. No, I don’t think I’ve ripped out anyone’s throat, though I know I ate some pets before I worked out what was going on and got the situation locked down.

I had this bowel obstruction. X-rays revealed what a surgical reaming later confirmed – I had a knotted ball of dog and cat collars blocking my guts. That was hard to explain. I didn’t really try. I just looked embarrassed, which came naturally.

Then there were those days where my turds seemed to be made mostly of hair with bone fragments mixed in.

Those two things convinced me that these occasional episodes I was having were not from drink spiking. Painful hallucinations of my hands changing shape, waking up naked on the mat outside my back door.

I was never bitten by anything. I think it might be genetic. I phoned my mom about it and the ensuing conversation was unsettling.

Me: Mom, are there any werewolves in our family tree?
Mom: Oh dear. Your father and I always meant to tell you, but there was never a good a moment, and then it just didn’t seem to matter any more.
Me: What didn’t matter any more?
Mom: Honey, your father and I adopted you.

I’m thirty five. I’ve just had the ground open up under my feet. Everything that was solid and reliable just kind of melted away. The sensation lasted for a couple of days.

I was never bitten by anything, but having no idea who my birth parents might be I don’t know if its genetic. Or viral. Naturally I am not going to any doctor or scientist for an explanation. That would, no doubt, result in me spending the rest of my life in a cage. Or until they decided that dissection was the only true path to the knowledge they sought.

It should be impossible to be a werewolf. I should not be a werewolf. It sucks. But I got over it. Now I just deal with it. I spend one night a month as a wolf. Fine.

And the transformation hurts. It hurts like crazy. You can’t knock yourself out with drugs and wake up on the other side. I tried that. Barbiturates, opiates, alcohol – none of them worked. You wake up as soon as your facial bones start stretching. The structures in your throat are changing as well, so you can hear your screams transmuting into howls until, I don’t know, something in the brain changes and you turn off. That never happens soon enough.

At the end of the transformation I’m a wolf. Not a wolfman, not a man trapped in a wolf’s body, not a mute passenger within a wolf, just a straight up wolf. Canis Lupus Lupus. A hungry wolf ready for wolfish activities.

I don’t participate in the reverse transformation, which I am thankful for. I usually wake up at dawn the next morning, a little thirsty and a little vague. Except for some lingering constipation I’m back to normal by the following day.

There are so many down sides to being a werewolf. I can’t travel for extended periods of time. I can’t be away from home during the full moon. I can’t have any social events on the day or the day after. I can go to work on the day, but I always leave as soon as I can because the full moon rises at sunset. Once it clears the horizon I am a wolf, not a man.

To make sure I don’t end up in jail or a lab, I track the lunar calendar and I have a bunch of reminders set up: emails, text messages, automated phone calls. I have a standing order with a reliable butcher. Every month he delivers a sizable piece of cow. When it shows up I know its getting close.

I’ve converted the basement of my house into an isolation pen. I bricked over the windows and took out the staircase and replaced it with a ladder. It’s a bit Buffalo Bill looking, except that its furnished with a large dog bed, chew toys, dog bowls and has a sandbox in the corner. Turns out I never use the sandbox. I just shit and piss wherever. There is a combination padlock I use to lock the door from the inside. As far as I can tell the wolf side of me shares nothing with the human side. Even if through magical woo-woo it knew the combination as I did, I doubt it could climb a ladder and with its mouth and free paws work the lock.

It it it. Despite being made of the same protoplasm, I can’t really think of my wolf form as “me”. And to be honest I resent it. Being a werewolf sucks. The social, not to mention romantic, impact is immense and negative. Who am I going to tell? If I ever provided proof my life would be over. That’s another reason I am not going to share the surveillance video with anyone. I delete it after every episode. I review it first, just to make sure I’m not getting clever, or too bored. I don’t want to wake up with my hand chewed off.

Reviewing the video, as far as I can tell, my wolf side is completely surprised every time. It isn’t accumulating any wolf experience. Its slate is being wiped clean every time it transforms back to me. Here is how its night tends to run:

After it gets to its feet it runs around the room a few times quickly, then stops and starts to sniff around. It does a very thorough sniffing, stopping to consume as much cow as it can. It paces the room for a bit, shits in a random location (yes, its my shit it is shitting, I can tell when I pick it up), then sits down and alternates between licking its balls, dozing, eating and drinking, and more pacing.

It is a dull thing to watch. Sometimes it chews on one of the toys. Most of the time it ignores the dog bed. After the first isolation test I left my clothes upstairs and came down naked. That first time I hung my clothes on the ladder and it tore them down and shredded them. Perhaps it didn’t like the way I smelled. Maybe it was hungry for human flesh. Who knows.

Anyway, back to the question and answer. Yes, we werewolves lick our balls, though it may be a trait that only appears in captivity.

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The Woomera Rocket Yards

Isaac II came from the Woomera yards, that vast stretch of red Australian outback hidden under concrete. Men had taken the desert and shaved it flat, laid reinforced concrete right over the gibber stones and mulga bushes. As far as the eye could tell it was perfectly flat to the horizon. Half of the world’s rocket builders lived on its edge. And half of them had come from a sea port somewhere else in the world. If a man could weld, if a man could set a rivet, he could double his money in the desert assembling rockets instead of ships.

The observation deck of Rocket Control Tower A was shaped and colored like a crescent moon. It sat on top of a five hundred foot pillar containing high speed elevators and emergency stairs. The concave edge of the deck, where the controllers sat, looked out north over the four hundred square miles of atomic scarred Woomera Rocket Range. Towers B, C and D were barely visible at the other corners. They blended in with the washed out horizon and their narrow silhouettes were dispersed by the heat disturbing the air.

The controllers worked in front of a twenty foot high window that ran from horn to horn. Each on a high stool behind their telescopes and wearing radio headsets. Despite being rocket controllers most of their work was in directing loading and maintenance teams across the range as rockets from around the planet and across the solar system dropped out of the sky above them. Behind the controllers, in the shadow of their screens, sat the radar operators watching the column of space above Woomera. The sweep of the radar dishes on the roof revealed the bright points of stations passing overhead and rockets starting their descent or fading out of range.

At the back of the deck, lining the convex edge, were the offices of the range management. Their windows looked down on the two long rows of warehouses and hangers, offices and hotels, that followed the apron towards Tower B and Tower D. To the east was the town of Woomera. It had started as a rocket research center, more like a campus than a town, and on the decline when the range was built. The range had been set out at a safe distance, but its pull, and the influx of people, had stretched the town out, dragged it along Range Road. The road had been widened twice and now it was lined with houses and businesses: rocket chandlers, bars, car lots, shade makers.

To the west was the shipyard, another expanse of concrete, but populated by hangars and unmarked by rocket motors. The shipyard was a grey garden of iron towers crawling with human ants and sparkling with the flares of welding torches. Structural beams, a lacework of cross bracing, waited to be clad with double walls of vacuum hardened metal.

To the south were the rail yards, and the three train lines connecting Woomera to the distant coasts: one Port Augusta, the other from the east, and the third a straight line from the northwest, Port Hedland, bringing goods from Asia and taking asteroid minings back.

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A Short Story Contest Entry

There was a short story competition held by Paul Malmont over on his site. The requirements were a bit clumsy. Your story had to start with “The robot felt…” and finish with “In the end, the robot felt nothing. He wasn’t programmed to.” It looks like a set up for a twist, but, yeah. The winner ended up going completely meta on the idea, which was one way out. None of the entries I read were particularly satisfying and I blame that closing line.

I went another direction. I thought I would be clever, and it turns out a bunch of entries thought the same thing. We all made that first felt a noun, instead of a verb. So clever. Even with that it was hard to make it work and the ending was still clumsy.

Here’s my entry. Definitely not a winner of anything:

Long Range Monitor #2

The Robot Felt was easily spotted by the naked eye as it passed overhead, tumbling like a coin at the edge of the atmosphere. After forty years its orbit was in the final stage of decay and the hour that its constituent machines would have their fiery, terminal introduction to the earth was known to the few who still cared.

Fifty years ago, on one of the asteroids corralled into Earth orbit for the convenience of mineral and metal extraction, an automated fabricator malfunctioned. The timely production of dedicated mining and conversion robots became a frenzied spray of misshapen machines that drifted around asteroid #431010 as it was consumed in their manufacture.

As the floating, colliding machines accumulated over several years they were referred to as the Robot Cloud. Its existence brought down a government. Eventually the fabricator consumed the entire asteroid and its own footing. It drifted along with its output, recycling everything that came within reach, converting the broken robots it had made into new broken robots. Sometimes a robot was consumed and its base elements formed into two or more smaller machines. Sometimes several robots were consumed to produce a larger robot. All had the long flexible limbs of low gravity manipulators, but the number, length and layout varied. Bodies were of all shapes and sizes. Ultraviolet and infrared imagers were strewn like ornaments around head units. The programming was similarly corrupt. Limbs that did have movement often just quivered. Sometimes they writhed like traveling snakes. Actuators opened and closed at random. Head units jerked and twisted on necks of all lengths.

As the Robot Cloud grew crowded two unfortunate, malfunctioning robots would collide and their flailing limbs and actuators would hammer against each other until they inevitably tangled. Then these two, joined like siamese twins, would drift and collide with others. Over several years, through a slow process of tumbling and colliding, the Robot Cloud coalesced into a single tangled mass – the Robot Felt. Megatons of mass-fabricated robots all bound to one another. Embedded in the tangle, working slower as its power ebbed, the fabricator continued to consume and recycle the robots it could reach. Over and over again two, three, or four robots were produced and consumed, produced and consumed, each time different, each time a little less functional.

All this consumption and production occurred without interference. The relocation of the asteroids had sapped all but a fraction of the will and resources of the central government. Boosting the fabricator into orbit and placing it on asteroid #431010 exhausted the little that remained. It had been an all-or-nothing gamble, and when it became apparent that instead of satellites, solar power platforms and a rain of ores in fabricated delivery rockets, that they were instead getting an unending supply of malfunctioning robots, there was a coup of sorts and space fell out of fashion and rockets out of repair. Life moved on and everyone was too distracted to do anything about space except peer up at it.

Peering down was a single monitor robot, LR2, the only remaining unit from a team of ten. He was still transmitting, but no-one was receiving. His video and telemetry signals bounced off the Earth and propagated out into space to be universally ignored. He didn’t care. He wasn’t programmed to.

When LR2, Long Range #2, was activated on asteroid #431010 he immediately set out for the farthest point on the rock to set up his monitoring position, just as he was programmed to. SR1 to SR7 were not so lucky. The fabricator swept them into its maw a moment after powering up, pausing just long enough for its CPU to step through corrupted memory until it found instructions it could execute, and finding in those instructions the mechanical equivalent of madness.

LR2 saw it all. He had eyes in the back of his head, and on its sides, and across its top. He was programmed to be part of a team, and the silence of SR1 to SR7 was noted. They were marked as offline. He did not miss them. He was not programmed to.

He witnessed LR1 and LR3 suffer the same fate. The three long range monitors were tightly linked, sharing video streams to coordinate their coverage. The fabricator’s traversal of asteroid #431010 brought each of them within reach of its arms. LR1 was in the full light of the sun and the fabricator’s hopper was illuminated all the way to the first set of grinders. LR2 watched the wheels turning via LR1’s video stream until its cameras were crushed. LR2 was not distressed by the violence of LR1’s destruction. He was not programmed to. He was programmed to mark LR1 as offline.

LR3 was consumed during one of the nights that lasted little more than an hour as their orbit placed the earth between the asteroid and the sun. There was some discernible activity in infrared. The edges of the grinders stood out, heated by their activity. LR3 was marked offline and LR2 was alone. Within his code there was a loop that ran every thousandth of a second and tallied the active monitors. The count was now one. It meant he was alone and he should terminate his shared video stream to save power. LR2 did not feel lonely. He was not programmed to.

With most of the asteroid converted to robots, the fabricator’s path brought it to LR2. As the fabricator approached a newly completed robot bounced out of the production chute. It tumbled across the surface of asteroid #431010, propelled by the spasmodic jerking of its manipulators, and collided with LR2, knocking him off what remained of the asteroid and setting him drifting through space to join the Robot Cloud.

LR2 maintained his focus on the fabricator, as he was programmed, but he also monitored his approach to the Robot Cloud, and the Earth spinning below as it moved out from behind the asteroid #431010. He was programmed to recognize robots, but he was not programmed to recognize the Earth. It was an anomaly, continuously shifting in brightness and pattern. He did not feel curiosity about the Earth. He wasn’t programmed to. Nevertheless, it was added to his surveillance list.

Ten years ago, as the Robot Felt tightened, LR2 was incorporated into its fabric. His right leg was grasped and held by the heavy manipulator at the end of a thrashing arm. After that it was only a matter of time until his other leg was trapped, and his arms, too, were grabbed and pinned.

The Earth grew larger. He noted this as best a robot might, with numbers and timestamps. It became another data point in his telemetry and was ignored with the rest of his readings. Except for a camera at the back of his neck pointed in the direction of the fabricator, all of his cameras were focused on the Earth. He had no interest in the Earth. He was not programmed to.

As the edge of the Robot Felt touched the atmosphere the bodies of the robots began to heat. An infrared camera on the side of his head detected it first. The re-entry created friction that was transferred through the Robot Felt as a vibration. This he also recorded. Through his infrared camera LR2 watched the heat travel across the Robot Felt as it continued to fall deeper into the atmosphere and the air density, and heat, increased. The lowest robots were nearly white and starting to lose their shape. Glowing drops of molten metal trailed out behind them in a golden spray.

LR2’s sensors signaled a rise in temperature. He was programmed to compare the number with recent recordings and adjust his thermal regulation. He did not feel like he was on fire. He was not programmed to.

The mass of robots plunged into the atmosphere, breaking up and separating as their arms melted, forced apart by the turbulence, heated to liquefaction and dispersing in a golden rain that lost its color as it fell, to land upon the earth like small, dark stones.

LR2 monitored his temperature, recording its rapid rise. His lenses clouded. The vibration became shaking and the image stabilizers could not counteract the movement and so he went blind. He continued broadcasting his telemetry, including his temperature as it steadily increased. Every millisecond his surveillance list demanded he poll his image sensors to locate the fabricator, and to measure the position of the Earth. His cameras and external sensors melted away. The solder on his circuit boards softened and ran. His components vibrated free.

In the end, the robot felt nothing. He wasn’t programmed to.

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Follow Up – Scans from “Captured Stars”

I finally got around to scanning a few images from my last book club entry about Zeiss Planetariums. Enjoy!

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Byrnes Woder Book Club 5: Captured Stars – Planetariums

Captured Stars by Heinz Letsch - 1959 book on Zeiss Planetariums95% of the reason I bought this book is because of the cover. The other 5% was “Hey! Planetariums!”. I bought it online so I didn’t realize that the interior was also ace.

I should buy a scanner, because this book is filled with beautiful hand-rendered, old-school draughtsman quality images of the pieces that make up the giant Zeiss planetarium projectors; those complicated, lens covered, Star Wars looking devices.

Fuck it. I will find a scanner and do a follow-up post with some images. Because I care.

If you have seen Rebel Without A Cause, then you have seen a Zeiss planetarium in action. The Griffith Observatory in Los Angeles was a setting for some of the major scenes in the movie. If you haven’t seen Rebel Without A Cause then you are missing out on some quintessential 50s teenage culture backlash.

Check out Jimmy’s entry on Deliverance, and Jake’s Flashman.

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BW Jukebox: Dirty Projectors and David Byrne – Knotty Pine

Surprise Byrnes Woder Jukebox from Jake-Z, but I’m always ready.

I couldn’t find an official video featuring David Byrne, but below is just as good.

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History of the Spacesuit

An early spacesuit design

Dig this old school, hard shell spacesuit

Over at bldgblog, an architecture blog, they have an interview with Nicholas de Monchaux who has published a book on the history of the spacesuit.

Turns out that Playtex, manufacturer of women’s underwear, beat out the military industrial complex with a layered fabric design that was more maneuverable than the armored carapaces they ended up competing against.

Lots of great pictures on bldgblog, taken from Nicholas de Monchaux’s book Spacesuit: Fashioning Apollo. It is going on my wishlist. The image above is from the book. Looks like the designers spent a bit too much time watching bad sci-fi movies.

See the pictures, read the interview on bldgblog.

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Some Draft Material From My Space Opera

I figured it was about time I showed some of what I have been working on. In case this is the first post you’ve read, I’m working on a 50s inspired space opera. Think Tom Corbett for grown-ups, especially for those grown-ups whose fevered, childhood dreams of space have cooled. Outside the Space Shuttle is being mothballed, but inside we have rockets of riveted plate steel flying across a starry backdrop on bright tongues of fire.

I’ll post a few more bits and pieces over time. It isn’t meant to be a serial or anything.

The Isaac II, ship of space, mighty iron rocket from the red dust yards of Woomera, dropped out of the Venusian sky on fat spears of fire that blasted the cratered field of the space port, softening the pitted glass as it decelerated to a pause, hanging in the air as the puddle of molten rock under its engines expanded into a broad pool. Only then did it touch down, the three tail fins, knives the height of towers, sinking deep into the molten earth. The engines cut off and immediately a skin of glass appeared across the cooling surface of the landing site, locking the rocket in position until take-off when the engines would once again turned the solid ground to liquid.

At his post in front of the engine desk in the command room of the Isaac, Power Sergeant Wilkes moved the engine switch to neutral, then into the sealed position. He placed the guard bolt over the control and locked it with the key that hung around his wrist. Down in the engine room the reactor crew followed his signals, powering down the Isaac’s engines and closing the exhaust ports.

“Atomic engines at neutral. Ports closed and sealed, Cap’n.”

“Good work, Wilkes. Pilot Butler, landing report.”

“Sir, she sits three degrees out from local vertical, fins stable at eight metres and landing target under prime port, sir.”

“Prime port! Excellent. Comms?”

Radio Sergeant Anders sat like a safecracker at the communications console, jamming his earpiece hard against his ear, his head cocked as he listened carefully for a signal while adjusting the tuning coils. The leather muzzle of his microphone dangled below his cheek. The blue line being traced on the cathode tube began to jiggle and dance as he homed in on the space port’s ground station.

“Locked in, Cap’n!”

“Let them know we’re secure and will start unloading in 30 standard minutes.”

Anders held the muzzle over his mouth to send the message silently to the space port.

Captain Nestor unclipped his landing harness, stood up and rolled his shoulders. Another tight landing. The crew could tell he was pleased, but they would not know that he was proud. It was the work of several years to collect them, crush them, and rebuild them into the professional, efficient team they had become. Beating plowboys into swords. And about time. He was getting a bit old to be a blacksmith. These men would be his best team, his prime team. That is how it went. Years of learning about men and their leading, then a brief moment when it all comes together.

If you are lucky that is the same moment when one of the capricious, short-lived windows to glory opens in front of you and you get to pass through it. If you make it back your name will be remembered. Your men, the ones that return with you, will move on and up. And you know you can’t hold them back, because everything you taught them, everything they needed so you could make it through your window, was everything they needed to make it on their own, to find their own window, their own glory.

Glory or no glory, at some point you start to become just another old man, left weak and pale by the launches and landings. There’s no way you can return to ground. Not after all those years in space, years of leading good men through tight spot after tight spot. You stay captain, but you soften. You carry cargo on milk runs, travel in convoy if you venture out to Mars, and you stay away from the moons of Jupiter and Saturn. Your ship is tight, but the young men they put under your command you guide, you teach, you prepare them for someone else’s glory. They will know their business, but you will let someone else find their limits. You are the Old Man Captain sitting in your cabin, going over your old logs, reading the occasional transmission from your old mates and old crew who have ships of their own. On stations and planets you frequent last year’s watering holes, quieter now, the wood a little darker, the steel a little softer, meeting up with other Old Man Captains, swapping stories, telling lies about looking forward to fishing, or starting a farm on a planet you have spent more time orbiting around than you ever spent living on. Neither you or any of the Old Man Captains want to make that transition, take that demotion, the big step down.

In your hearts each of you want to set out in that last small ship of your own, a crew of one, buried in space in a storage container, a regulation blanket for a shroud, your medals, if any, pinned to the outside over your still heart. And if your crew really likes you, respects you, they will draw straws and strip the atomic booster from the short man’s space suit and bolt it to the foot of your makeshift coffin. Set to minimum power it will push you for a thousand years, out of the system and towards the stars that no mortal man can reach.

Nestor unhooked the ship’s horn from the captain’s console.

“Landing is complete!” he barked down the tube and his voice travelled through the ship, to every corner, to every berth, cabin, galley, hold and engine room. The men in their landing couches climbed out of their harnesses, Technical staff started on the business of checking all systems survived the landing intact, while the rest of the crew headed for the holds and the unloading of cargo.

He clipped the horn back on the console and waved a commanding hand at Butler.

“Unshield the viewports, Pilot. Let’s take a look at our neighbors.”

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The Original Space Opera – Skylark of Space

Skylark of Space, original cover

Download the EPUB from Project Gutenberg

I first read this, and the sequels, and everything else E.E. “Doc” Smith wrote, at the age of 11 or so in the form of battered 70s paperback re-issues my Uncle Lee had. Loved them. The plot moved at the speed of fake science. Whole technologies were summoned at the flick of a switch, and later at the thunk of a thought. I just looked and it turns out you can read Skylark of Space on Project Gutenberg right now right here. Here are the other formats, including epubs and Kindle.

I stole this image from Golden Age Comic Book Stories, a great blog of great art that I follow, and you should too if you like this.

Skylark of Space was originally serialized in 1928. Back then it looks like “rays” were the go-to concept for doing unexplainable shit. I guess this is following on from X-rays, alpha-rays, gamma-rays, as well as radio waves. Cyclotrons, synchrotrons, all the -trons, were getting bigger and stronger all the time. Rays were mysterious natural phenomena humans could make for themselves. The future was wide open and there was an entire Greek alphabet to extrapolate along. It required no great intellect to realize that there must exist a specific ray to do anything you want, you just need to find it.

The mechanical age was merging with the electrical age. The atomic age was gestating in the belly of the cyclotrons, but was still almost twenty years away.

Rays were invisible ballistics. Infinite magazines of lead free bullets, perfect guns, perfect cannons, and much more. “Rays” were immaterial, but they affected the material world, blasting holes, pushing ships, pulling ships, manipulation from a distance without physical contact. Not unlike radio.

We had to give up on rays right as the atomic age began. We learned rays resulted in radiation, and radiation was deadly. Good-bye rays, good-bye plot device.

But now we have AI because, you know, computers can do anything. I prefer rays.

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Book envy – R is for Rocket

I must admit, I am pretty jealous of Jake’s Byrnes Woder Book Club entry. All I can do is hotlink his cover image out of spite, which is the same force that motivated him to post it. It’s like he doesn’t like Book Club.

He mentioned he had it a while ago. We were comparing the stories in R is for Rocket to the Tom Corbett books. The Corbett books are “readable”, but it is quite amazing to compare Bradbury’s superior and heartfelt execution. Maybe it is because I first read R is for Rocket when I was young and it left its imprint, but some passages bring me as close to welling up as any moving story or song or movie.

I’m not a fan of YA, not since I was a YA and not very much even then (read Catch-22 at the age of eleven and, even if you don’t understand everything going on, “kids books” will feel like “kids books” from that moment onwards), but I am quite happy to read and re-read these stories. It may be that many, or most, were not written with a YA audience in mind, and they were mainly selected for not containing content on school board black lists. I would like to look into that and see if it is true. If you already know the answer, please leave a comment.

And I have to say I love the cover. The boy with the shadowed face is perfect. The galaxy in view behind him places him deep in space. Beside him is the rocket he flew there. It looks small and is embossed with Icarus, the Wright brothers’ Flyer, and a Montgolfier brothers’ balloon. The size of the rocket is interesting. It looks comparable in size to a jet plane, which makes the figure and its stance reminiscent of a test pilot, that quintessentially 50s heroic stereotype. The present was still being heavily cribbed to create images of the future. And that is enough not-very-insightful musing about a book cover on the internet.

There was a re-issue of R is for Rocket in 2005 by PS Publishing. They flipped the cover image so the rocket was on the right and did some hokey titling. Not sure why they didn’t leave the titling unchanged. Maybe it was just to make it impossible to pass off the re-issue dust jacket as a first on ebay.

[Update: Heard back from Jake. The cover is by Joseph Mugnaini (1912-1992), who was a long time collaborator of Ray Bradbury's. If you want to see more of his book covers you could just google his name, or hunt down a copy of Wilderness of the Mind, a book about his work.]

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